Framed by a pure white backdrop, this traditional floral garland - a ceremonial mala - is presented with an eye for balance and symbolism. Each arm begins in a compact cuff of creamy white blooms, closely packed to create a soft, cloud-like texture that suggests serenity and ritual cleanliness. These white segments transition into bands of deep maroon or reddish-brown flowers, their small, clustered petals lending a contemplative, earthy tone. The garland then unfurls into a long, buoyant run of bright yellow blossoms, plush and tactile in appearance, which creates the U's generous arc. At the base, where the two yellow sections meet, a substantial cluster of pure white chrysanthemum-like flowers forms the visual centrepiece, the point where purity and celebration meet. Tiny dark green leaf touches break the colour borders at intervals, most visibly between the yellow and lower white, adding contrast and a hint of foliage. The artificial fabric petals are arranged with thousands of careful stitches and tucks, producing a uniform density that casts soft shadows and suggests high craftsmanship. As a local florist in New Addington I often prepare similar garlands for temple offerings, weddings, and community festivals near Central Parade and Addington Village; they're chosen for durability and respectful beauty at ceremonies and family rites. The white, maroon and yellow palette carries layered meanings - purity, devotion and prosperity - so this piece reads as both decorative and deeply meaningful, designed to be held, honoured, and displayed with care.
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A lovingly made, U-shaped ceremonial garland sits against a clean white backdrop, every petal and curve captured with attentive craft. The piece reads like a traditional mala: each of the two arms begins with a dense, cylindrical cluster of creamy white, chrysanthemum-like fabric blooms that feel soft and downy to the eye. Those white sections fold into a rich maroon or reddish-brown band of tightly packed florets, their deeper tones lending a grounded, reverent weight. The dominant lower sweep of the 'U' is a long, joyful band of bright yellow flowers - marigold-like in tone and plush in texture - which creates the garland's warm, celebratory heart. Where the two yellow arms meet at the lowest curve, a generous, central cluster of pure white blossoms anchors the composition, offering visual rest and symbolic purity. Small, dark green leaf accents are threaded between some colour transitions, especially at the junction of yellow and white, giving the piece contrast and a hint of natural separation. Under soft studio light the garland casts a subtle shadow that reveals its depth and the thousands of individual fabric petals arranged to mimic living blooms. This is the kind of enduring, crafted adornment used for puja, temple offerings, weddings, or Diwali and Holi celebrations around New Addington - perhaps draped at a home shrine near Central Parade or carried to a small community gathering. The colours - white for purity, maroon for devotion, yellow for prosperity - hold traditional meaning, and the overall impression is one of respectful celebration, made to last and to honour ritual with quiet dignity. An elegant, ceremonial garland in an open oval shape is set against a pure white backdrop, its colours flowing in a quiet, meditative rhythm from top to bottom. The upper curve is formed from a thick band of delicate white flowers-similar to tiny chrysanthemums or jasmine buds-so densely strung that they appear as a continuous cushion of softness, symbolising purity and calm. These white sections taper down the sides into rich maroon and reddish-brown petals, where the tone deepens and the texture becomes velvety and layered, like finely woven fabric. At the base of the U, the garland brightens into a generous sweep of vivid yellow blooms, carrying a naturally uplifting energy that hints at comfort, remembrance, and the promise of new light, much like the clear days over the green spaces and residential streets of New Addington. Interspersed between these main colour blocks are small accents of fresh green foliage and occasional touches of white, placed carefully where one hue transitions into the next, adding gentle contrast and an organic, leafy feel. Every part of the garland is full and lush, suggesting thoughtful craftsmanship, whether made from exceptionally fresh flowers for a single occasion or from high-quality artificial petals chosen for their longevity. The design clearly speaks to traditional rituals found across South Asian and Southeast Asian communities, yet feels equally at home in local New Addington funeral services, temple offerings, or moments of personal remembrance, offering a visual message of honour, love, and spiritual connection.

GARLAND TRIBUTE£70.00

  • Handcrafted by Your Local Florist
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Our Garland Tribute is a traditional Hindu and Sikh funeral garland, thoughtfully handcrafted by Florist New Addington. Designed to honour your loved one with dignity and respect, this colourful tribute features fresh chrysanthemums arranged in a classic, elegant style. Each garland can be made to order in your preferred colour palette, allowing you to reflect personal, cultural or religious significance. Measuring approximately 110 cm (43 inches) in length, it creates a striking yet tasteful display for funeral ceremonies, memorials or religious rites.

We select high-quality chrysanthemums for their lasting freshness and symbolic purity, ensuring your tribute looks beautiful throughout the service. As some flowers are seasonal, we may substitute blooms when necessary, always choosing flowers of similar size, colour and equal or superior quality and value. This guarantees a premium finish while maintaining the intended look and feel of your design.

Perfect for families seeking a meaningful floral tribute for Hindu and Sikh funerals in New Addington and surrounding areas, our Garland Tribute combines tradition, colour and craftsmanship. Order online from floristnewaddington.co.uk for a reliable, caring service and timely delivery to local funeral directors and venues.
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